Apr
28
4:00 PM16:00

New Sussex Opera: Lampe's The Dragon of Wantley

A dragon is terrorizing the Yorkshire countryside, devouring anything it meets. The only person who can save the locals is a drunken squire – if he can put down his pint. He agrees, but just as daunting as his monstrous opponent is the love triangle that ensues. Will the dragon prevail? And who will get their man? 

The Dragon of Wantley, the 1737 smash hit of the London season, parodies Handel’s serious operas – as well as poking fun at the government of the day. The combination of Lampe’s first-rate music (of which Handel himself approved) and wonderfully witty libretto by Henry Carey makes this opera a comic gem.

Don’t miss the rare chance to see this masterpiece of English comic opera performed with a traditional period orchestra as New Sussex Opera sets the opera in a South Yorkshire of the 1980’s (against the background of the miners’ strike). The recent recording of THE DRAGON OF WANTLEY from the Brook Street Band and conductor John Andrews won BBC Music Magazine 2023 Award in Opera. 

Conductor Toby Purser and director Paul Higgins join forces again following their success with Stanford’s The Travelling Companion for New Sussex Opera, which was nominated for an International Opera Award, with what was a world première recording released on the SOMM label.

New Sussex Opera Chorus

Bellot Ensemble

Toby Purser, conductor

Paul Higgins, director

Mollie Cheek, designer

Emma Gasson, lighting

Benjamin Poore, dramaturg

Cast includes:

Ana Beard Fernández

Charlotte Badham

Magnus Walker

Robert Gildon

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May
12
4:00 PM16:00

New Sussex Opera: Lampe's The Dragon of Wantley

A dragon is terrorizing the Yorkshire countryside, devouring anything it meets. The only person who can save the locals is a drunken squire – if he can put down his pint. He agrees, but just as daunting as his monstrous opponent is the love triangle that ensues. Will the dragon prevail? And who will get their man? 

The Dragon of Wantley, the 1737 smash hit of the London season, parodies Handel’s serious operas – as well as poking fun at the government of the day. The combination of Lampe’s first-rate music (of which Handel himself approved) and wonderfully witty libretto by Henry Carey makes this opera a comic gem.

Don’t miss the rare chance to see this masterpiece of English comic opera performed with a traditional period orchestra as New Sussex Opera sets the opera in a South Yorkshire of the 1980’s (against the background of the miners’ strike). The recent recording of THE DRAGON OF WANTLEY from the Brook Street Band and conductor John Andrews won BBC Music Magazine 2023 Award in Opera. 

Conductor Toby Purser and director Paul Higgins join forces again following their success with Stanford’s The Travelling Companion for New Sussex Opera, which was nominated for an International Opera Award, with what was a world première recording released on the SOMM label.

New Sussex Opera Chorus

Bellot Ensemble

Toby Purser, conductor

Paul Higgins, director

Mollie Cheek, designer

Emma Gasson, lighting

Benjamin Poore, dramaturg

Cast includes:

Ana Beard Fernández

Charlotte Badham

Magnus Walker

Robert Gildon

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Jun
25
1:00 PM13:00

Seen and Heard Festival

  • David Josefowitz Recital Hall, Royal Academy of Music, London (map)
  • Google Calendar ICS

Isaac Shieh horn

Verity Hall soprano

Guillem León Vivas piano

Hannah Runting harp

Jessica Anderson trombone

Programme:

HANNAH RUNTING Am I asking too much

MOZART Der Hölle Rache

THÉA DEACON Perpetual Duality

GEORGIA SCOTT Ghost in the Machine

TOSHIO HOSOKAWA Two Japanese Folk Songs

LLOYD COLEMAN Sgraffito

CLARKE transc HANNAH RUNTING/ JESSICA ANDERSON I’ll bid my heart be still

GUILLEM LEÓN VIVAS Spanish Songs

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Apr
13
7:30 PM19:30

Armonico Consort: Mozart Great Mass in C Minor | JS Bach Magnificat in D BWV243

  • Collegiate Church of St Mary, Warwick (map)
  • Google Calendar ICS

Demonstrating the huge influence of Bach and Handel who Mozart was studying at the time, his Great Mass in C minor is regarded by many to be one of his greatest works. Reflecting the pomp and solemnity which was characteristic at the time in Salzburg where it was first performed, it is a masterpiece in the realms of mass settings across the centuries.

Bach’s incredible Magnificat for so many lovers of his choral music is his finest work, and without doubt the most dramatic and intensely beautiful of any setting of this text. As virtuosic and almost acrobatic in writing for the singers, as it is tender and sublime in its beauty, it is simply Bach at his finest!

Generously co-sponsored by Braunston Marina and Derek and Rosemary Holding 

Armonico Consort & Baroque Players

Christopher Monks, director

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Apr
12
7:30 PM19:30

Armonico Consort: Mozart Great Mass in C Minor | JS Bach Magnificat in D BWV243

Demonstrating the huge influence of Bach and Handel who Mozart was studying at the time, his Great Mass in C minor is regarded by many to be one of his greatest works. Reflecting the pomp and solemnity which was characteristic at the time in Salzburg where it was first performed, it is a masterpiece in the realms of mass settings across the centuries.

Bach’s incredible Magnificat for so many lovers of his choral music is his finest work, and without doubt the most dramatic and intensely beautiful of any setting of this text. As virtuosic and almost acrobatic in writing for the singers, as it is tender and sublime in its beauty, it is simply Bach at his finest!

Generously co-sponsored by Braunston Marina and Derek and Rosemary Holding 

Armonico Consort & Baroque Players

Christopher Monks, director

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Apr
2
2:30 PM14:30

Polipetti at Charlton House

Programme:

Mozart: Serenade No. 12 for winds in c minor K. 388/384a

Beethoven: Wind Octet in E-flat Major, Op. 131

Encore: Schubert Wind Octet D. 72 (Minuetto Allegretto - Trio II)

Polipetti

Angelika Stangl and Andrés Gabriel Villalobos-Lépiz, oboe

Hugo Lau and Władysław Lech, clarinet

Emily Dore and Fergus Butt, bassoon

Samuel Middleton and Isaac Shieh, horn

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Jan
21
5:00 PM17:00

Tinklings at Lamb & Flag Oxford

Programme:

Britten: Prelude to Serenade for Tenor, Horn and Strings Op. 31 (1943) (2’)

Gallay: Prelude No. 32 (1830) (2’)

Fujikura: ele (2021) (5’)

Gallay: Caprice No. 2 (1835) (3’)

Mason: In the Garden of a Museum (2022) (7’)

Gallay: Prelude No. 22 (1830) (2’)

Sun: Chuān II (2022) (8’)

Bellini: i capuleti e i montecchi Act 1 Scene 4 Horn Solo (1830) (1’) - Encore

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Dec
31
2:45 PM14:45

Brighton Philharmonic Orchestra New Year’s Eve Gala Concert

Repertoire:

Suppe: Morning Noon and Night in Vienna

Strauss: Mein Herr Marquis

Strauss: Tales from the Vienna Woods

Strauss: Trisch Trasch Polka

Lehar: Vilya

Strauss: Gypsy Baron March

Korngold: Straussiana Waltzes

Lehar: Gold and Silver Waltzes

Zeller: Roses in Tyrol

Farnon: Westminster Waltz

Strauss: Memories of Covent Garden

Strauss: Pizzicato Polka

Lehar: Meine Lippen

Strauss: Blue Danube Waltzes

Loewe: I Could Have Danced (Encore)

Strauss: Radetzky March (Encore)

Stephen Bell, conductor

Ellie Laugharne, soprano

Brighton Philharmonic Orchestra

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