In 1835, Jacques-François Gallay regarded as one of the last great hand horn players, composed Douze Grands Caprices which embody the capabilities of the instrument in its most virtuosic form. In the past few decades there has been a renewed interest in hand horn playing, with an increasing number of horn players now pursuing historical horns as a specialisation. A new generation of players has emerged, capable of pushing beyond the boundaries and perceived capabilities encapsulated by Gallay in his Caprices. This project aims to expand the repertoire for hand horn and reflect the current capabilities of the modern-day hand horn player and the diverse musical aesthetics of our time: a set of 12 new works for solo hand horn – in response to Gallay’s Caprices – were commissioned from 12 living composers.
In Caprice Reimagined, UK based natural hornist Isaac Shieh presents the fruits of his ambitious and commendable commissioning project for solo works on his instrument. Pairing the new works by a range of composers including Dai Fujikura, Michael Finnissy, Timo Andres, and Scott Wollschleger, with a seminal set of 12 Caprices by 19th century composer Jacques-François Gallay, Shieh brings this period instrument into the present with virtuosity, creativity, and passionate advocacy.
The project is supported using public funding by Arts Council England as well as The Nicholas Boas Charitable Trust.